Detail-Hogging Cover: Ibáñez prides himself in these.Deranged Animation: While Ibanez's style is very well drawn (particularly when it comes to buildings, ships, etc.), it can also get pretty over the top/wacky at times, occasionally due to Depending on the Artist in the case of The '80s installments.Those "apocryphal" stories tend to have Continuity Nods to the previous "official" stories, much more than the ones actually written by Ibáñez. Depending on the Writer: Some stories were written during the late 80s by other authors, since Ibáñez didn't have the rights to write his own stories during that time.It works to a degree, as the captain quickly instructs the crew to move the ship somewhere else outside of his throwing range. Defiant Stone Throw: In La cochinadita nuclear, when a ship arrives at a seaside town to dump the nuclear waste there, a random villager starts throwing bricks at the crew.except for one candidate who managed to gather two votes and is subsequently named president. Decided by One Vote: At the end of ¡Elecciones!, which parodies the Spanish general election of December 2015, it's revealed that there were so many parties in the running that each of them got one single vote.Given the context (a big, strong, angry criminal chasing down the man who got him sent to prison fifteen years ago), the clear implication is that Tronchamulas is out to kill Filemón.
Deadly Euphemism: In the 2014 animated movie, a newscaster reporting on Tronchamulas's escape from prison claims that the criminal is searching for Filemón with the intention of doing "el aquello" (roughly "that thing") to him.Examples include a punching bag with the shape of the Súper's head used by Mortadelo and Filemón to practice boxing (in Los Bomberos) and a dedicated photo by the Súper that Mortadelo tapes to a toilet seat (in La Perra de las Galaxias). Dartboard of Hate: Usually with the Súper.
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